Directing

Artavazd Peleshian

born 1938 · Directing

59.4avg grm
2titles
10honors

Honors

10
2018Order of the Badge of Honour
2017honorary citizen of Yerevan
2012médaille du Premier ministre
2004Q4313315
2003Laurel Branch Award
Honors
  • 2018Order of the Badge of Honour
  • 2017honorary citizen of Yerevan
  • 2012médaille du Premier ministre
  • 2004Q4313315
  • 2003Laurel Branch Award
  • 1996Order of St. Mesrop Mashtots
  • 1996Honored art worker of the Russian Federation
  • 1985Armenian SSR State Prize
  • 1984Order of St. Sergius of Radonezh
  • 1979Honored Art Worker of the Armenian SSR

Bio

Creator of the "distange montage," Artavazd Peleshian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity. His "distange montage" was a new step in the development of film editing. Even his student works (The Earth of the People 1966 and the Beginning 1967) shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes and he gained recognition among filmmakers. Alongside his very successful solo career, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Mikhail Vartanov directed Osennyaya pastoral (1971) from Peleshian's screenplay. Artavazd Peleshian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema"). Some of the most important works of Armenia's documentary cinema include Sergei Parajanov's Hakob Hovnatanyan (1967), Mikhail Vartanov's Parajanov: The Last Spring (1992) and Artavazd Peleshian's Vremena goda (1975).

Biography

Creator of the "distange montage," Artavazd Peleshian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity. His "distange montage" was a new step in the development of film editing. Even his student works (The Earth of the People 1966 and the Beginning 1967) shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes and he gained recognition among filmmakers. Alongside his very successful solo career, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Mikhail Vartanov directed Osennyaya pastoral (1971) from Peleshian's screenplay. Artavazd Peleshian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema"). Some of the most important works of Armenia's documentary cinema include Sergei Parajanov's Hakob Hovnatanyan (1967), Mikhail Vartanov's Parajanov: The Last Spring (1992) and Artavazd Peleshian's Vremena goda (1975).

Filmography

ranked on this site
1980s1 titleOOur Century1983 · as Director58.8
1960s1 titleWWe and Our Mountains1969 · as Revaz60.0

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Artavazd Peleshian

A
born1938
known forDirecting
titles on site2
avg GRM59.4
honors10 · Order of the Badge of Honour, 2018
Honors
  • 2018Order of the Badge of Honour
  • 2017honorary citizen of Yerevan
  • 2012médaille du Premier ministre
  • 2004Q4313315
  • 2003Laurel Branch Award
  • 1996Order of St. Mesrop Mashtots
  • 1996Honored art worker of the Russian Federation
  • 1985Armenian SSR State Prize
  • 1984Order of St. Sergius of Radonezh
  • 1979Honored Art Worker of the Armenian SSR
Creator of the "distange montage," Artavazd Peleshian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity. His "distange montage" was a new step in the development of film editing. Even his student works (The Earth of the People 1966 and the Beginning 1967) shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes and he gained recognition among filmmakers. Alongside his very successful solo career, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Mikhail Vartanov directed Osennyaya pastoral (1971) from Peleshian's screenplay. Artavazd Peleshian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema"). Some of the most important works of Armenia's documentary cinema include Sergei Parajanov's Hakob Hovnatanyan (1967), Mikhail Vartanov's Parajanov: The Last Spring (1992) and Artavazd Peleshian's Vremena goda (1975).

Filmography

ranked on this site

Browse the ranked list