Directing

Abbas Kiarostami

1940–2016 · Directing

63.5avg grm
14titles
#177best rank
11honors
Cbest title · #177 on siteClose-Up1990 · as Director80.3

Honors

11
2003honorary doctor of Ca' Foscari University of Venice
—Palme d'Or
2014Austrian Decoration — Science and Art
2012Annual award ACFK
2010honorary doctor of the Sorbonne Nouvelle University
Honors
  • 2003honorary doctor of Ca' Foscari University of Venice
  • —Palme d'Or
  • 2014Austrian Decoration — Science and Art
  • 2012Annual award ACFK
  • 2010honorary doctor of the Sorbonne Nouvelle University
  • 2007honorary doctor of the University of Toulouse-II
  • 2004Praemium Imperiale
  • 2003Konrad Wolf Prize
  • 2003honorary doctorate from ENS
  • —Grand Jury Prize of the Venice Film Festival
  • —Officer of the Legion of Honour

Bio

Abbas Kiarostami (Persian: عباس کیارستمی [ʔæbˌbɒːs kijɒːɾostæˈmi] ; June 22, 1940 – July 4, 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up, and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012. Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and emphasized the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. Description above from the Wikipedia article Abbas Kiarostami, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Biography

Abbas Kiarostami (Persian: عباس کیارستمی [ʔæbˌbɒːs kijɒːɾostæˈmi] ; June 22, 1940 – July 4, 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up, and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012. Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and emphasized the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. Description above from the Wikipedia article Abbas Kiarostami, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

ranked on this site
2010s2 titlesKKurosawa's Way2011 · as Self58.3CCertified Copy2010 · as Director71.5
2000s1 titleTTen2002 · as Director56.8
1990s5 titlesWThe Wind Will Carry Us1999 · as Director56.6TTaste of Cherry1997 · as Director74.3TThrough the Olive Trees1994 · as Director60.4AAnd Life Goes On1992 · as Director61.5CClose-Up1990 · as Director80.3
1980s3 titlesHHomework1989 · as Self60.4WWhere Is the Friend's House?1987 · as Director77.3FFirst Graders1984 · as Director57.8
1970s3 titlesFFirst Case, Second Case1979 · as Director58.5AA Suit for Wedding1976 · as Director57.0TThe Traveler1974 · as Director58.3

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Abbas Kiarostami

A
born1940
died2016
known forDirecting
titles on site14
best title rank#177 · Close-Up (1990)
avg GRM63.5
honors11 · honorary doctor of Ca' Foscari University of Venice, 2003
Honors
  • 2003honorary doctor of Ca' Foscari University of Venice
  • —Palme d'Or
  • 2014Austrian Decoration — Science and Art
  • 2012Annual award ACFK
  • 2010honorary doctor of the Sorbonne Nouvelle University
  • 2007honorary doctor of the University of Toulouse-II
  • 2004Praemium Imperiale
  • 2003Konrad Wolf Prize
  • 2003honorary doctorate from ENS
  • —Grand Jury Prize of the Venice Film Festival
  • —Officer of the Legion of Honour
Abbas Kiarostami (Persian: عباس کیارستمی [ʔæbˌbɒːs kijɒːɾostæˈmi] ; June 22, 1940 – July 4, 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up, and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012. Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave, a Persian cinema movement that started in the late 1960s and emphasized the use of poetic dialogue and allegorical storytelling dealing with political and philosophical issues. Kiarostami had a reputation for using child protagonists, for documentary-style narrative films, for stories that take place in rural villages, and for conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity, in addition to the themes of life and death, play a major role in Kiarostami's works. Description above from the Wikipedia article Abbas Kiarostami, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

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