Directing

Louis Malle

1932–1995 · Directing

63.9avg grm
14titles
#243best rank
18honors
Gbest title · #243 on siteGoodbye, Children1987 · as Director79.6

Honors

18
1956Palme d'Or
1991BAFTA Fellowship
1989BAFTA — Best Direction
1975BAFTA — Best Film
1987Golden Lion
Honors
  • 1956Palme d'Or
  • 1991BAFTA Fellowship
  • 1989BAFTA — Best Direction
  • 1975BAFTA — Best Film
  • 1987Golden Lion
  • 1990David di Donatello — Best Foreign Director
  • 1988César Award — Best Film
  • 1988César Award — Best Director
  • 1988César Award — Best Original Screenplay or Adaptation
  • 1988European Film Award — Best Screenwriter
  • 1988David di Donatello — best foreign screenplay
  • 1987Louis Delluc Prize
  • 1987Los Angeles Film Critics Association Award — Best Foreign Language Film
  • 1981National Society of Film Critics Award — Best Director
  • 1975United Nations Awards
  • 1956Prix du meilleur film français du Syndicat français de la critique de cinéma
  • —British Academy of Film and Television Arts
  • —César Award

Bio

Louis Marie Malle (30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer. His film "The Silent World" won the Palme d'Or in 1956 and the Academy Award for Best Documentary in 1957, although he was not credited at the ceremony with the award instead being presented to the film's co-director Jacques Cousteau. Later in his career he was nominated multiple times for Academy Awards. Malle is also one of the few directors to have won the Golden Lion multiple times. Malle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include the crime film "Elevator to the Gallows" (1958), the World War II drama "Lacombe, Lucien" (1974), the romantic crime film "Atlantic City" (1980), the comedy-drama "My Dinner with Andre" (1981), and the autobiographical film "Au Revoir les Enfants" (1987). Malle was born into a wealthy industrialist family in Thumeries, Nord, France. He initially studied political science at Sciences Po before turning to film studies at IDHEC instead. He assisted Robert Bresson on "A Man Escaped" (1956) before making his first feature, "Elevator to the Gallows" (1958), a taut thriller featuring an original score by Miles Davis, which made an international film star of Jeanne Moreau, at the time a leading stage actress of the Comédie-Française. Malle was 24 years old. Malle's "The Lovers" (1958), which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity. Malle is sometimes associated with the nouvelle vague movement, and while Malle's work does not directly fit in with or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer and others, and he had nothing whatsoever to do with the Cahiers du cinéma, his films do exemplify many of the characteristics of the movement, such as using natural light and shooting on location, and his film "Zazie dans le Métro" (1960), an adaptation of the Raymond Queneau novel, inspired Truffaut to write an enthusiastic letter to Malle. In 1968 Malle visited India and made a seven-part documentary series "Phantom India" (1969), which was released in cinemas. Concentrating on real India, its rituals and festivities, Malle fell afoul of the Indian government, which disliked his portrayal of the country, in its fascination with the pre-modern, and consequently banned the BBC from filming in India for several years. Malle later claimed his documentary on India was his favorite film. Malle later moved to the United States and continued to direct there. Just as his earlier films such as "The Lovers" helped popularize French films in the United States, "My Dinner with Andre" was at the forefront of the rise of American independent cinema in the 1980s.

Biography

Louis Marie Malle (30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer. His film "The Silent World" won the Palme d'Or in 1956 and the Academy Award for Best Documentary in 1957, although he was not credited at the ceremony with the award instead being presented to the film's co-director Jacques Cousteau. Later in his career he was nominated multiple times for Academy Awards. Malle is also one of the few directors to have won the Golden Lion multiple times. Malle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include the crime film "Elevator to the Gallows" (1958), the World War II drama "Lacombe, Lucien" (1974), the romantic crime film "Atlantic City" (1980), the comedy-drama "My Dinner with Andre" (1981), and the autobiographical film "Au Revoir les Enfants" (1987). Malle was born into a wealthy industrialist family in Thumeries, Nord, France. He initially studied political science at Sciences Po before turning to film studies at IDHEC instead. He assisted Robert Bresson on "A Man Escaped" (1956) before making his first feature, "Elevator to the Gallows" (1958), a taut thriller featuring an original score by Miles Davis, which made an international film star of Jeanne Moreau, at the time a leading stage actress of the Comédie-Française. Malle was 24 years old. Malle's "The Lovers" (1958), which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity. Malle is sometimes associated with the nouvelle vague movement, and while Malle's work does not directly fit in with or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer and others, and he had nothing whatsoever to do with the Cahiers du cinéma, his films do exemplify many of the characteristics of the movement, such as using natural light and shooting on location, and his film "Zazie dans le Métro" (1960), an adaptation of the Raymond Queneau novel, inspired Truffaut to write an enthusiastic letter to Malle. In 1968 Malle visited India and made a seven-part documentary series "Phantom India" (1969), which was released in cinemas. Concentrating on real India, its rituals and festivities, Malle fell afoul of the Indian government, which disliked his portrayal of the country, in its fascination with the pre-modern, and consequently banned the BBC from filming in India for several years. Malle later claimed his documentary on India was his favorite film. Malle later moved to the United States and continued to direct there. Just as his earlier films such as "The Lovers" helped popularize French films in the United States, "My Dinner with Andre" was at the forefront of the rise of American independent cinema in the 1980s.

Filmography

ranked on this site
1990s2 titlesVVanya on 42nd Street1994 · as Director56.0MMay Fools1990 · as Director55.6
1980s5 titlesGGoodbye, Children1987 · as Director79.6RThe Road to Bresson1984 · as Self58.0AAmerica Undercover1983 · as Director · series63.8MMy Dinner with Andre1981 · as Director75.3AAtlantic City1980 · as Director74.2
1970s2 titlesLLacombe, Lucien1974 · as Director59.1MMurmur of the Heart1971 · as Director57.9
1960s3 titlesPPhantom India1969 · as Self - Narrator · series64.0CCalcutta1969 · as Narrator57.1FThe Fire Within1963 · as Director61.6
1950s2 titlesEElevator to the Gallows1958 · as Director78.7LThe Lovers1958 · as Director53.8

Browse the ranked list

you've reached the bottom
goodrecmovies
movies worth your night.

This product uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

← back

Louis Malle

L
born1932
died1995
known forDirecting
titles on site14
best title rank#243 · Goodbye, Children (1987)
avg GRM63.9
honors18 · Palme d'Or, 1956
Honors
  • 1956Palme d'Or
  • 1991BAFTA Fellowship
  • 1989BAFTA — Best Direction
  • 1975BAFTA — Best Film
  • 1987Golden Lion
  • 1990David di Donatello — Best Foreign Director
  • 1988César Award — Best Film
  • 1988César Award — Best Director
  • 1988César Award — Best Original Screenplay or Adaptation
  • 1988European Film Award — Best Screenwriter
  • 1988David di Donatello — best foreign screenplay
  • 1987Louis Delluc Prize
  • 1987Los Angeles Film Critics Association Award — Best Foreign Language Film
  • 1981National Society of Film Critics Award — Best Director
  • 1975United Nations Awards
  • 1956Prix du meilleur film français du Syndicat français de la critique de cinéma
  • —British Academy of Film and Television Arts
  • —César Award
Louis Marie Malle (30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer. His film "The Silent World" won the Palme d'Or in 1956 and the Academy Award for Best Documentary in 1957, although he was not credited at the ceremony with the award instead being presented to the film's co-director Jacques Cousteau. Later in his career he was nominated multiple times for Academy Awards. Malle is also one of the few directors to have won the Golden Lion multiple times. Malle worked in both French cinema and Hollywood, and he produced both French and English language films. His most famous films include the crime film "Elevator to the Gallows" (1958), the World War II drama "Lacombe, Lucien" (1974), the romantic crime film "Atlantic City" (1980), the comedy-drama "My Dinner with Andre" (1981), and the autobiographical film "Au Revoir les Enfants" (1987). Malle was born into a wealthy industrialist family in Thumeries, Nord, France. He initially studied political science at Sciences Po before turning to film studies at IDHEC instead. He assisted Robert Bresson on "A Man Escaped" (1956) before making his first feature, "Elevator to the Gallows" (1958), a taut thriller featuring an original score by Miles Davis, which made an international film star of Jeanne Moreau, at the time a leading stage actress of the Comédie-Française. Malle was 24 years old. Malle's "The Lovers" (1958), which also starred Moreau, caused major controversy due to its sexual content, leading to a landmark U.S. Supreme Court case regarding the legal definition of obscenity. Malle is sometimes associated with the nouvelle vague movement, and while Malle's work does not directly fit in with or correspond to the auteurist theories that apply to the work of Godard, Truffaut, Chabrol, Rohmer and others, and he had nothing whatsoever to do with the Cahiers du cinéma, his films do exemplify many of the characteristics of the movement, such as using natural light and shooting on location, and his film "Zazie dans le Métro" (1960), an adaptation of the Raymond Queneau novel, inspired Truffaut to write an enthusiastic letter to Malle. In 1968 Malle visited India and made a seven-part documentary series "Phantom India" (1969), which was released in cinemas. Concentrating on real India, its rituals and festivities, Malle fell afoul of the Indian government, which disliked his portrayal of the country, in its fascination with the pre-modern, and consequently banned the BBC from filming in India for several years. Malle later claimed his documentary on India was his favorite film. Malle later moved to the United States and continued to direct there. Just as his earlier films such as "The Lovers" helped popularize French films in the United States, "My Dinner with Andre" was at the forefront of the rise of American independent cinema in the 1980s.

Filmography

ranked on this site

Browse the ranked list